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Archive for June, 2009

Jun 30 2009

Transformers: Revenge of the Fallen - A Review

Published by nerdyblogger under movies Edit This

Revenge of the Fallen Poster

The newest Transformers film has garnered good, bad, and mediocre reviews all across the board from critics and fans alike.  I, myself, grew up watching the 80s cartoon, and had a fit in the movie theater (quite literally jumping out of my seat) three years ago when I saw the teaser trailer for the first Transformers film.  I saw the first film opening night and left the theater wowed.  The transforming sequences were immaculate, streaming flawlessly from vehicle to giant robot without missing a beat, while still looking incredibly realistic and just plain cool.  The story was really interesting, and aside from some unnecessary sexual references, this first live action Transformers film was awesome!  I loved it.

Revenge of the Fallen picks up with Sam Witwicky (Shia LeBeouf) leaving for college and in pursuit of a “normal” life, since freshmen aren’t allowed cars on his college campus, thus leaving Bumblebee at home.  Sam, however, soon learns that a “normal” life is something that he’ll never have.  Sam discovers a shard of the Allspark that was still stuck to his clothes from the final battle of the last movie.  Upon touching it, Sam has a similar experience to his grandfather, Captain Archibald Witwicky, gaining knowledge of the ancient history of the Transformers, and causing him to see visions and have fits where all he can do is write the letters and signs he sees in his visions.  With the added pressure of a long distance relationship with Mikaela (Megan Fox), (let’s forget about being hunted down by the Decepticons), Sam’s first few days in college become the toughest of his life. 

While the first Transformers combines a great story with flawless action sequences and epic battles, creating a movie that could’ve been incredibly corny, but is instead AWESOME, Revenge of the Fallen has a lot of explosions, a choppy story, and a ridiculous and unnecessary amount of sexual references and crude language.  Quite frankly, I could’ve handled the former two a lot better if the latter hadn’t been so gratuitous.  I simply don’t understand how Megan Fox’s front or backside advances the plot, nor the excessive lewd jokes made by nearly everyone throughout the film.  The action sequences in this installment weren’t quite as exciting as the previous film, and maybe my Transformers knowledge is rusty, but I didn’t recognize several of the new Autobots and Decepticons introduced.  I think they could’ve introduced the new characters a little better.  Character development (even just a little bit) isn’t a bad thing, people. 

Highlights of the film for me were Peter Cullen, the original voice of Optimus Prime in the 80s cartoon, reprising his role as the leader of the Autobots (gotta love that deep, booming voice), as well as Rainn Wilson (Dwight from The Office) making an appearance as Professor Colan, although the sexually charged introduction to his Astronomy class could’ve been skipped (for real, it’s not even a Biology or Human A&P class!).  Still, watching Wilson assume the role of a college professor was quite funny.  Overall, the basic storyline was interesting, but all the bathroom humor and explosions got in the way of developing a good storyline.  The final rating on the Nerdy Blogger Scale:

Huh?

A “Huh?”

This is the rating I’ll be giving for film, books, television, music, and pocasts I’m not quite sure what to do with.  Transformers: Revenge of the Fallen could’ve been a lot better, but it wasn’t the worst film I’ve ever seen either.  I hope the third installment (due in 2012 according to IMDB.com) is a lot better.  It can only go up from here, right?

Blessings,

Nerdy Blogger

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2 responses so far

Jun 29 2009

The Dave Ramsey Show Podcast

Published by nerdyblogger under Podcasts Edit This

Good day, Nerdy Bloggers!  I’ve not done a podcast review or recommendation here before, but I’d like to change that today.  Today I’d like to recommend to you with the highest recommendation I can possibly give, The Dave Ramsey Show Podcast

dave-ramseys-plasectomy.jpg

If you’ve never heard of Dave, let me give a few basic facts on this guy.

  • He’s originally from Alcoa, TN (also what is formerly known as North Maryville, aka my hometown).
  • He is a nationally known and respected Christian financial advisor.
  • His most popular book is Dave Ramsey’s Total Money Makeover.  I recently picked this up and am looking forward to reading it.
  • He has his own show on the Fox Business Network and a nationally syndicated radio program, from which this podcast is derived.

As mentioned, The Dave Ramsey Show Podcast is derived from The Dave Ramsey Show as heard on radio stations across the country.  Dave is known for his down-to-earth, straight, and honest financial advice on how to get out of debt and stay that way.  Dave encourages his listeners to perform “plasectomies” on their wallets by destroying their credit cards and getting themselves on a tight written budget in order to attack their “debt snowball.”  I’ve listened to his podcast for about a month now, and his advice has really encouraged me to keep a close watch on my money.  I’m recommending this podcast to you if you’re interested in hearing great advice on how to better keep watch on your money and make sound financial decisions.  Being young and starting out, I’ve found this podcast to be great for me in encouraging me to do the right things with my money.  The thing I like best about Dave is that he doesn’t kid around.  If you call in to his show and he hears that you’re about to make a poor financial decision, he tells you about it straight up.  I appreciate his honesty and straightforward talk.  The greatest phrase I keep hearing on the show comes from Dave.  He encourages people to, “Live like no one else, so you can give like no one else.”  If you are living by his method of budgeting your lifestyle and not borrowing money, when you are debt free and your family is taken care of, you are financially free to give generously and help others in need.  Scripturally, this is so, so true…James says that true religion is to care of orphans and widows in their distress.  When you are being a good steward of your resources, you can help those in need.  Fabulous Truth is right there, my friends, very fabulous Truth.  This podcast gets two thumbs way, way up from me!  You can subscribe to this podcast through iTunes, just look up The Dave Ramsey Show

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Blessings,

Nerdy Blogger

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Jun 28 2009

Stockholm Syndrome’s Latest Clue

Published by nerdyblogger under music Edit This

 Hello Nerdy Bloggers!  I apologize for the lack of updates over the past week.  My Dad spent most of the week last week in the hospital with heart problems, but praise God, he’s back home and doing just fine.  With all of that going on, blogging wasn’t exactly the first thing on my mind.  However, it’s a new week and I’m ready to get back into the swing of things.  Anyway, today I’d like to discuss the latest clue from Derek Webb and his forthcoming record, Stockholm Syndrome.

If you’ve been following Derek Webb’s tweets from @ssyndrome then you’ll know that Stockholm Syndrome will be released on September 1st, 2009, but if you order from derekwebb.com two months earlier (July 1st, I would assume, although the tweet was not specific-just had a brain fart and realized July 1st is this Wednesday!!!!) you can get an immediate full digital download and receive your disc when it’s released in September.  Very exciting for peoples like me who’ve been following the madness going along with this album.  I’ve downloaded the latest stems tonight, which were found in Birmingham, Alabama on Friday, and am intrigued by the latest picture inside this set. 

A smokestack?  Maybe???

I can’t tell much about it.  It looks vaguely to me like a smokestack from a factory or something.  Does anyone have any idea of where it could be?  On a second look, it may not be a smokestack at all (looks pretty shiny, unlike most smokestacks I’ve seen), but really I don’t have any other guess on what it could be.  There is some sort of logo painted on it toward the bottom of the picture, but that is indiscernible as well.  I’ve used TinEye, a new reverse image search engine to try to find a match for it, but with no avail.  I’ve enjoyed this little scavenger hunt, and would be interested to hear your thoughts on it!  Here’s hoping for a new Derek Webb album on Wednesday!

Blessings,

Nerdy Blogger

3 responses so far

Jun 22 2009

The Office: Season 3, Disc 1

Published by nerdyblogger under tv Edit This

Good day, Nerdy Bloggers!  I hope everyone’s doing well.  I’d like to start doing something a little different with my blog here.  Today I’ll be doing my first review of something here and I’d like to introduce you to the way I plan on rating things.  For anyone that knows me in real life, you know two things that always happen whenever I’m taking a goofy picture.

Fact #1: My mouth is always open.

Fact #2: I have either one or both thumbs up.

The first fact is less relevant to our discussion here than the second.  For my reviews here, at the end I’ll always give my final verdict on the Ashley scale as either one thumb up or two, if I think something is great, or one or two thumbs down if it doesn’t tickle my fancy.  Now that that method is established, here is my take on the first disc of The Office: Season 3.

Season 3

Let me begin by saying that I am a very big fan of The Office.  However, I didn’t really get to watch much of the show until very recently.  (I sing in a multicultural Gospel choir during the school year and our choir practice occurs during the same time).  Thanks to the kindness of friends loaning me their copies, I’ve been able to watch the first and second seasons of the series, and am now beginning to watch the third.  Season 3 thus far has been great, so here’s my 3rd season episode-by-episode review of the 1st disc.

“Gay Witch Hunt”
While Oscar’s sexuality was revealed to the audience and an ignorant Dwight in Season 2, it would seem that the rest of the office hasn’t quite figured it out yet.  When Michael discovers it though, his incredible lack of tact is evident and results in quite the painful outing of Oscar.  It amazes me how inept his character can be, and many times it’s really painful for me to watch his ridiculousness.  The best part of this episode is Jim’s gift of “Gaydar” to Dwight.  Hilarious!

“The Convention”
As it turns out, Michael does have a softer side and shows it in this episode.  While trying to be the life of the party (by throwing a party) at the annual Northeastern mid-market office supply convention, Michael succumbs to fears that Jim transferred to get away from him.  I didn’t enjoy this episode as much, but it’s always nice to see that Michael is in fact, a real human being rather than an inept dunderhead (pardon the semi-unintentional pun).  Not as interesting as some episodes, but it’s good on some character development with Michael.

“The Coup”
While Michael institutes “Movie Monday” in the office to stimulate “morale,” Jan makes a surprise visit to Scranton, walking in on the gang watching Varsity Blues.  Angela puts it to Dwight that he should be the one running the office rather than Michael, and encourages him to seek council with Jan.  Dwight always adds great humor to the show and watching his antics in getting Jan to meet with him, as well as his confrontation with Michael afterwards makes this a fun episode.

“Grief Counseling”
When Jan calls Michael to inform him that his former manager, Ed Truck, has passed away, Michael feels the need to put the entire office through grief counseling (despite that it seems no one in the office knew Ed except Michael himself).  Peak moments in this episode are the ball toss where everyone talks about someone close to them that died and how.  Pam tells a synopsis of Million Dollar Baby, Ryan goes for The Lion King, and Kevin takes Weekend at Bernie’s.  I laughed so loud when Ryan started talking about his cousin Mufasa, who got trampled by a stampede of wildebeests.  Great stuff!  The bird funeral with Pam’s speech and Dwight playing the recorder were great points, too. 

“Initiation”
This episode is great, and probably my favorite thus far in this season.  It’s time for Ryan to go on his first sales call, and Dwight, the top salesman in the company, is taking him.  Ryan thinks he’s going on a sales call, little does he know that Dwight is taking him on a haze-like initiation, where Dwight takes him to his beet farm and has him learn all about beets, pretends to leave him there, puts him in the hot seat and asks him ridiculous trivia about people in the office and Dunder Mifflin, and tops it all off with an attack from Cousin Mose and attempting to get him into his grandfather’s coffin.  The highlights of this episode are Ryan and Dwight egging the building after not making the sale, then going for beer together afterwards, and the great interaction we get between Jim and Pam at the end, with their extended phone call right at closing time.  Jim’s still up to his old tricks, even at Stamford, complete with a squeaky chair switch on the crazy obnoxious Andy Bernard.  Also, Stanley and Free Pretzel Day, FTW!  Great episode!

“Diwali”
The always chatty Kelly Kapoor’s family is throwing a Diwali party (the Hindu festival of lights, or as Kelly puts it, Hindu Halloween) and Kelly invites everyone in the office.  Michael, thinking of course he’s the only educated and understanding person in the office, offers a crash course in Indian and Hindu culture, complete with handouts of the Karma Sutra (yikes!).  Michael proposes to Carol at the party, only to be denied.  Ryan gets to meet Kelly’s family (who think he’s going no where), particularly after asking him whether or not he’s saving money to start a family, and he responds by saying he’s saving up for travel and an XBOX (one of the funniest lines in the episode).  Meanwhile over in Stamford, Jim, Andy, and Karen have to work late.  Andy breaks out the liquor and they all take shots on his cue while working (save for Karen who always pours hers out behind the guys’ backs).  Big Tuna (or Jim) can’t bike home in his drunken state so Karen ends up driving him home.  The tension between Jim and Karen is looming, so I’m interested to see how this all pans out in the next episodes in this season.  Also, the Kapoors constant downing of Ryan is hilarious, and rather flamboyant.  Ryan’s up and down relationship with Kelly is also very evident here and really makes me want to slap guys who act like he does.  Say what you want, brother!  It does make for good humor in the show though.  

“Branch Closing”
Jan drops a bomb on Michael in this episode, saying that the Scranton branch will be closing.  Some of the employees will be offered severance packages while others will be transferred to Stamford.  This closing, however was centered on Josh, the regional manager at Stamford, heading up the new combined branches, which will not be happening because of him accepting a senior management position with Staples.  In turn, Stamford is now closing, and being consolidated with Scranton.  Jim is returning to Scranton, and the excitement seen in Pam is all too obvious.  I love Jim and Pam and am looking forward to seeing how this season turns out.

So what’s my overall take on disc one, you ask?

One Thumb Up

One Thumb Up

Here’s why.  Interesting episodes so far, but no real standouts just yet.  Great jokes and several laugh out loud moments in the seven episodes I’ve seen thus far, but again, nothing really that jumps out at me just yet.  I’ll keep posting my thoughts as I watch though!  Gotta love The Office.

Blessings,

Nerdy Blogger

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Jun 18 2009

God, C. S. Lewis, and J. K. Rowling?: Conclusion

Published by nerdyblogger under books Edit This

Hello Nerdy Bloggers!  I hope you’ve enjoyed reading my thesis.  Here is the conclusion chapter, with a complete works cited for the entire paper.  I’m glad for the opportunity to share this with everyone here.  Be on the look out for some new things coming your way right here over the next couple of days! 

Blessings,

Nerdy Blogger

Petrificus Totalus!

 

CONCLUSION

 

“His hand closed automatically around the fake Horcrux, but in spite of everything, in spite of the dark and twisting path he saw stretching ahead for himself, in spite of the final meeting with Voldemort he knew must come, whether in a month, in a year, or in ten, he felt his heart lift at the thought that there was still one last golden day of peace left to enjoy with Ron and Hermione.” - Harry Potter and the Half-Blood Prince, 652.

 

            What may be determined from all this discussion of Harry Potter and The Chronicles of Narnia and symbols of agapē love, Christ figures, and redemption?  That there is enough material to discuss for the length of a thesis is notable.  That there is enough secondary material to allow for this type of discussion is something that is also worthy of mention.  Harry Potter does not appear to be the dangerous book series that many Christians have made it out to be.  The comparison with The Chronicles of Narnia is demonstrative of that.  But the question still remains, what does all this mean?  Taking each of the symbols discussed respectively and combining them, readers may be able to form some conclusions about their presence in Harry Potter and The Chronicles of Narnia

            One thing that is useful to note initially is that where there is one symbol of agapē love, a Christ figure, or redemption, the other two symbols are often present as well.  Biblically speaking, this is true as well.  Let us recall John 3:16 for example, “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life” (Bible Gateway).  Breaking the verse down, the Greek word used for “loved” is “agapaō,” which is related to the Greek word, “agapē;” there is mention of the Son-the Christ figure, and finally, the redemption of those who believe, “whoever believes in him shall not perish but have eternal life.”  These three aspects are a representation of something akin to the Holy Trinity.  This is also proven Biblically.  The three parts of the Holy Trinity are God the Father, God the Son (Jesus Christ), and God the Holy Spirit.  1 John 4:8 notes that God is love, and in the Greek the word used for love in that verse is indeed, agapē (Strong 1587).  Therefore, God the Father is the embodiment of agapē love.  Next in the Trinity is God the Son-Jesus Christ-the ultimate sacrifice for sin and the original Christ figure.  The final part of the Trinity is God the Holy Spirit.  Jesus promises the Holy Spirit will come to his disciples after his death.  John 14:26 says, “But the Counselor, the Holy Spirit, whom the Father will send in my name, will teach you all things and will remind you of everything I have said to you” (Bible Gateway).  The Holy Spirit is received as a mark of redemption; it is redemption itself as in Titus 3:5, “He saved us, not because of righteous things we had done, but because of his mercy. He saved us through the washing of rebirth and renewal by the Holy Spirit” (Bible Gateway).  Therefore, redemption may be seen as a representation of the Holy Spirit.  The symbols of agapē love, the Christ figures, and redemption are much like the Trinity, and these symbols are the ones found most often in each of the Harry Potter and Narnia novels. 

            As John Granger and Carrie Birmingham have both noted, it seems unlikely that all of this symbolism in Harry Potter is there by mistake, mere chance, or accident.  Why then is Harry often excluded from Christian literary circles?  Dan McVeigh notes in his article, “Is Harry Potter Christian?,” “But clearly Rowling writes in a specifically Christian literary tradition.  The catch?  That tradition is one whose High Church roots-Anglican and Roman Catholic-make assumptions built into Rowling’s use of it inaccessible to a significant segment of American Christianity.”  McVeigh makes an interesting point; Rowling has not formally made any statements about her faith, save that she is a member of the Church of Scotland and that she believes in God.  However, these statements and the wealth of symbolic material that is found in these novels may be enough to indicate that the study of Harry Potter in Christian circles may be useful and even edifying.  We do not know for sure if J. K. Rowling is intentional in all of this symbolism, but that her works are even capable of being interpreted in the same manner as C. S. Lewis’ Chronicles of Narnia, seems to speak for itself to some degree.  Parents who are concerned about their children reading Harry Potter should not fear its content, since the books are easily interpreted under the lens of Christian symbolism. 

            With one Harry Potter book remaining in the series (set to be released in the summer of 2007), readers may hope to discover an even greater wealth of Christian symbolism in the novels, whether J. K. Rowling chooses to reveal her true intentions concerning the novels or not.  With Harry Potter as one of the most popular novel series for children available today, events or scenes from the novels may be easily used as an “exemplum” or sermon illustration, just as easily as many use now with Lewis’ Narnia.  (The discussion of Christ figures in this thesis might be a good place to start.)  In short, the discussion is not finished here.  There are many, many more symbols left to discuss in Harry Potter and The Chronicles of Narnia.  As John 21:35 notes, “Jesus did many other things as well. If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written” (Bible Gateway).  Something similar may be said of the wealth of symbolism in Harry Potter and The Chronicles of Narnia; there is still much left to be discussed, and in doing so there are many more books to be written.  As the narrator notes on Harry’s thoughts in the introductory quote, he still has one more golden day left to enjoy with Ron and Hermione.  Readers too have one more golden day left with Book 7, and as C. S. Lewis remarks in The Last Battle, Harry and is friends may meet with an endless day where, like an endless book-each chapter is better than the last. 

WORKS CITED

Alexander, Joy.  “‘The Whole Art and Joy of Words’: Aslan’s Speech in the Chronicles of Narnia.”  Mythlore Summer 2003.  Infotrac.  Lamar Memorial Lib., Maryville, TN.  7 Mar. 2006 <htttp://infotrac.galegroup.com>.

Bates, William.  “Magic, Christianity and Harry Potter.”  21 Sept. 2006 <http://www.christaquarian.net/papers/bates_potter.pdf>.

Bible Gateway.  King James Version.  New International Version.  2006. 27 Apr. 2006 <http://biblegateway.com/>.  1 Corinthians 4:17; 1 John 4:8; 2 Chronicles 7:14; 2 Samuel 22:2-3; Acts 4:12; Colossians 1:13-14; Ephesians 1:7, 2:1-5, 2:20; Genesis 1:1-31, 3:15; Hebrews 9:12, 12:1; Isaiah 1:18, 50:6, 53:1-12, 61:10; Job 2:11-13; John 1:29, 3:16, 4:10, 4:13-14, 8:36, 14:6-7, 14:26, 15:13, 15:15, 19:17, 20:26-29, 21:9; Luke 10:18, 22:42, 24:46-47; Mark 7:37, 15:3-5; Matthew 1:21; 24:31, 26:36-39, 26:42; Philippians 2:1-2; Revelation 5:5, 11:18, 12:10; Romans 6:11; Titus 3:5.

Birmingham, Carrie.  “Harry Potter and the Baptism of the Imagination.” 29 Apr. 2005.  11 Oct. 2006 <http://www.hogwartsprofessor.com/home.

php?page=docs/birmingham>.

Bridger, Francis.  A Charmed Life: The Spirituality of Potterworld.  New York: Image Books, 2002.  144.

Como, James.  Branches to Heaven: The Geniuses of C. S. Lewis.  Dallas: Spence Publishing Company, 1998.  137.

Deavel, Catherine Jack and David Paul.  “Character, Choice, and Harry Potter.”  Logos: A Journal of Catholic Thought and Culture.  5.4 (2002): 49-64.  <http://muse.jhu.edu/journals/logos/v005/5.4deavel.pdf>.  58-59.

Easterbrook, Gregg.  “In Defense of C. S. Lewis.”  The Atlantic Online.  Oct. 2001.  21 Sept. 2006 <http://www.theatlantic.com/issues/2001/10/eaterbrook.htm>.

Granger, John.  Looking for God in Harry Potter.  USA: SaltRiver, 2004.  67-68, 99-100, 133, 135-36, 182.

Jacobs, Alan.  “Harry Potter’s Magic.”  First Things: A Monthly Journal of Religion and Public Life Jan. 2000.  Infotrac.  Lamar Memorial Lib., Maryville, TN.  6 Mar. 2006 <htttp://infotrac.galegroup.com >. 

Johnston, Kristin Kay.  “Christian Theology as Depicted in The Lord of the Rings and the Harry Potter Books.”  Journal of Religion & Society Vol. 7 (2005).  <http://moses.creighton.edu/JRS/pdf/2005-5.pdf>.  6-7.

Lewis, C. S.  The Horse and His Boy.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  205-310.

—.  The Last Battle.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  669-767.

—.  The Lion, the Witch and the Wardrobe.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  107-97.

—.  The Magician’s Nephew.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  11-106.

—.  Prince Caspian.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  317-418.

—.  The Silver Chair.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  542-668.

—.  The Voyage of the Dawn Treader.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  419-541.

—.  The Weight of Glory: and Other Addresses.  San Francisco: HarperSanFrancisco, 2001.  31.

McVeigh, Dan.  “Is Harry Potter Christian?”  Renascence Spring 2002.  6 Mar. 2006 <http://findarticles.com/p/articles/mi_qa3777/is_200204/ai_n9067773/print>.

Nelson, Michael.  “Fantasia: The Gospel According to C. S. Lewis.” The American Prospect Online.  25 Feb. 2002.  21 Sept. 2006 <http://www.prospect.org/web/printfriendly-view.ww?id=6142>.

Rowling, J. K.  Harry Potter and the Chamber of Secrets.  New York: Levine-Scholastic, 1999.  79-85.

—.  Harry Potter and the Goblet of Fire.  New York: Levine-Scholastic, 2001.  22, 534, 679, 717.

—.  Harry Potter and the Half-Blood Prince.  New York: Levine-Scholastic, 2005.  552, 569, 584, 596, 612, 652.

—.  Harry Potter and the Order of the Phoenix.  New York: Levine-Scholastic, 2003.  734-35, 789, 792-93, 824, 836, 841, 843-44.

—.  Harry Potter and the Prisoner of Azkaban.  New York: Levine-Scholastic, 1999.  38, 108, 214, 232, 330, 376, 415, 425, 427-29.

—.  Harry Potter and the Sorcerer’s Stone.  New York: Levine-Scholastic, 1998.  173, 173, 177-79, 220, 271, 283, 286, 294, 299, 306.

Strong, James.  The Strongest Strong’s Exhaustive Concordance of the Bible.  21st Cent. ed.  Grand Rapids: Zondervan, 2001.  1587.

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Jun 17 2009

God, C. S. Lewis, and J. K. Rowling?: Redemption, Part II

Published by nerdyblogger under books Edit This

Hello Nerdy Bloggers!  Thanks for taking time to read my thesis.  This is the last part of my chapter on Redemption.  I’ll post the conclusion tomorrow, along with a complete works cited page.  This part is almost entirely Narnia focused.  Please leave some feedback for me! 

Blessings,

Nerdy Blogger

Aslan

CHAPTER III, PART II

 

            In chronological order (based on the Narnian time line), The Magician’s Nephew is the first Narnia chronicle.  It is in this first novel that the reader may find a strong symbol for redemption.  Digory Kirke has entered the Garden in hopes of finding something to cure his sick mother.  The Witch attempts to trick Digory into stealing an apple that would provide healing for his mother, despite the warning he received upon entering, which states, “Come in by the gold gates or not at all,/Take of my fruit for others or forbear,/For those who steal or those who climb my wall/Shall find their heart’s desire and find despair” (Lewis Magician’s Nephew 92).  Despite the Witch’s urgings, Digory resists, but is deeply saddened that he may not be able to help his mother.  He returns to Aslan, who says, “That is what would have happened, child, with a stolen apple.  It is not what will happen now.  What I give you now will bring joy.  It will not, in your world, give endless life, but it will heal” (Lewis Magician’s Nephew 100-01).  As the apple, the gift of Aslan, does not bring eternal life in the world of men, neither does Christ’s gift bring eternal life in this world.  However, the gifts both Aslan and Christ offer do bring eternal life in their world.  Jesus said in Luke 17:33, “Whoever tries to keep his life will lose it, and whoever loses his life will preserve it” (Bible Gateway).  Digory, after being tempted to “keep” the apple (representing life), but instead chooses to “lose” the apple, gains life.  Digory Kirke’s mother is revived and becomes one who, as in Ephesians 2:1-5, was “dead” but is now “alive” through the work of redemption (Bible Gateway). 

            The Lion, the Witch and the Wardrobe offers one of the most transparent symbols of redemption in the sacrifice of Aslan for Edmund Pevensie.  Aslan has met the requirements of the Deep Magic-he has died a traitor’s death-the death Edmund deserved.  Aslan, alive again through the power of the Deeper Magic, is the one who brings life again to those turned to stone by the White Witch’s wand, his presence turns the tide in the Battle of Beruna, and is the one who conquers the White Witch herself in battle.  With Aslan being the foremost and established Christ figure in Narnia, it is by this same token that the reader can identify all of these acts as a work of redemption for not only Edmund, but also for the entire country of Narnia.  The text states, “The battle was all over a few minutes after their arrival.  Most of the enemy had been killed in the first charge of Aslan and his companions; and when those who were still living saw that the Witch was dead they either gave themselves up or took flight” (Lewis Lion… 192).  Aslan has saved the day in the same way Christ has saved the lives of those who follow him. 

            Aslan again plays the role of the redeemer in The Horse and His Boy.  The beginning of the life of Shasta (or as the reader later learns, Prince Cor of Archenland) in The Horse and His Boy is a redemption story in itself.  An infant Shasta has been set adrift in a boat and is discovered by a Calormene fisherman named Arsheesh.  When Shasta learns his true identity, he learns what, or rather who, has perpetuated his entire journey-Aslan.  Cor informs Aravis of the prophecy about his life and how he would become savior to Archenland.  When Cor is telling Aravis about how all this came to be, he makes an interesting comment:

The Lord Bar himself had been killed in the battle.  But one of his men said that, early that morning, as soon as he saw he was certain to be over hauled, Bar had given me to one of his knights and sent us both away in the ship’s boat.  And that boat was never seen again.  But of course that was the same boat that Aslan (he seems to be at the back of all the stories) pushed ashore at the right place for Arsheesh to pick me up.  (Lewis Horse… 302)

Aslan has redeemed Cor from death, and by the same token, Cor has become a redeemer to the entire nation of Archenland-Savior to his people.  Like Cor, there were similar prophecies surrounding Jesus’ birth.  Matthew 1:21 says, “She will give birth to a son, and you are to give him the name Jesus, because he will save his people from their sins” (Bible Gateway).  Cor’s destiny is to rescue his people, as Jesus’ destiny is the same-both have brought about the redemption of their people. 

          Prince Caspian is the fourth chronological installment in The Chronicles of Narnia.  The novel’s title character is also a product of redemption.  Caspian is an orphan prince, living with his aunt and uncle who are acting King and Queen of Narnia in the absence of Caspian’s father and mother.  When his aunt, the Queen, finally give birth to a child, a son, Caspian’s life is in great danger.  Awakened in the night by his tutor, Dr. Cornelius, Caspian is hurried away for fear of his life.  Caspian is unsure if his Uncle Miraz would really choose to murder him.  Dr. Cornelius has only this in reply, “He murdered your Father” (Lewis Prince Caspian 343).  With this ominous warning, Caspian is sent away to refuge in Archenland.  Here the reader sees Prince Caspian seeking refuge, as the Christian seeks refuge in Jesus Christ.  2 Samuel 22:2-3 says, “The LORD is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation.  He is my stronghold, my refuge and my savior-from violent men you save me” (Bible Gateway).  The horn mentioned in this particular passage of scripture is interesting when thought of in the context of the very important gift Dr. Cornelius gives Caspian-the magic horn of Queen Susan.  This horn summons help when blown, which may be interpreted as a “horn of salvation.”  These are but a few of the symbols of redemption found in Prince Caspian

          As mentioned in previous discussion of The Voyage of the Dawn Treader, Eustace Scrubb is changed into a dragon through the working of a magical bracelet and his own greed.  Aslan, the Christ figure, is the only one capable of reversing Eustace’s dragon-like state.  Eustace’s state is reminiscent of the human condition.  As Eustace is trapped in his dragon form with no chance of escaping it on his own, so humanity is caught in its own sin.  Eustace does not want to be a dragon any longer, but as in Romans 7:18, “I know that nothing good lives in me, that is, in my sinful nature. For I have the desire to do what is good, but I cannot carry it out” (Bible Gateway).  Aslan tells Eustace when he tries to take his own dragon scales off, “You will have to let me undress you” (Lewis Dawn Treader 474).  Aslan cleans Eustace up, transforms him from a dragon into a boy again, and dresses him in new clothes.  The prophet Isaiah speaks of a similar dressing in Isaiah 61:10, “I delight greatly in the LORD; my soul rejoices in my God. For he has clothed me with garments of salvation and arrayed me in a robe of righteousness, as a bridegroom adorns his head like a priest, and as a bride adorns herself with her jewels” (Bible Gateway).  Eustace has been “clothed” with righteousness.  His salvation is found in Aslan, the Christ figure. 

          The Silver Chair is quite varied from the other Narnia chronicles.  Aslan is not as physically present in this novel, but he is the motivator for the entire quest to save Prince Rilian.  Aslan sends Jill Pole and Eustace Scrubb on this journey, accompanied by the Marsh-wiggle, Puddleglum.  The entire quest to find Prince Rilian is another redemption story.  Rilian is held captive by the enemy (Satan), cannot break free of the spell he is under on his own (sin), and to break the enchantment, Rilian (and now Puddleglum, Jill, and Eustace also) must declare their faith and belief in Aslan and Narnia.  Puddleglum makes his declaration to the Witch,

Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself.  Suppose we have.  Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones.  Suppose this black pit of a kingdom of yours is the only world.  Well it strikes me as a pretty poor one.  And that’s a funny thing, when you come to think of it.  We’re just babies making up a game, if you’re right.  But four babies playing a game can make a play-world which licks your real world hollow.  That’s why I’m going to stand by the play-world.  I’m on Aslan’s side even if there isn’t any Aslan to lead it.  I’m going to live as like a Narnian as I can even if there isn’t any Narnia.  (Lewis Silver Chair 633)

It is at this point that the Witch knows she cannot charm their belief in Narnia out of them, and she tries to destroy them in her snake form, but is slain by Prince Rilian, Puddleglum, and Eustace.  The Silver Chair story offers a similar set-up for the redemption plot as the one John Granger points out in Harry Potter and the Chamber of Secrets, with its plotline featuring a person in need of redemption, a savior, declaration of belief, and salvation. 

          The Last Battle is the final volume of Narnia and features a strong Biblical parallel for redemption.  The Last Battle portrays the final redemption of those who believe in and trust Aslan-the rapture of his followers.  Aslan has pulled his followers out of a dying Narnia.  Likewise, Christ has promised the redemption of his followers, saying in Matthew 24:31, “And he will send his angels with a loud trumpet call, and they will gather his elect from the four winds, from one end of the heavens to the other” (Bible Gateway).  Aslan performs a similar act in The Last Battle; he has pulled his followers out of Narnia, which is dying and falling into chaos.  Aslan shuts the door on Narnia and the whole land is destroyed.  The book of Revelation tells of the second coming of Christ, the destruction of the world, and the taking of believers into the new heaven and the new earth.  This is what has happened to the Pevensies, Polly, and Digory; the expression of joy and rapture that is held by the followers of Aslan is unparalleled.  Lucy asks, “‘We’re so afraid of being sent away, Aslan.  And you have sent us back into our own world so often.’  …‘Your father and mother and all of you are-as you used to call it in the Shadowlands-dead.  The term is over: the holidays have begun.  The dream is ended: this is the morning’” (Lewis Last Battle 767).  This is the bright morning that Christ has promised for his followers that Aslan has brought his followers to as well. 

          There are quite a few symbols of redemption found in these novels; this is by no means a definitive list.  There are also some patterns found in Harry Potter and The Chronicles of Narnia that are worthy of note.  In Harry Potter, Harry himself is the most common object of redemption.  He is the one who finds himself in need of a savior most often, with the exception of Harry Potter and the Prisoner of Azkaban, where he and Hermione are saviors to Sirius Black and Buckbeak the Hippogriff.  The method redemption is portrayed in Harry Potter is multifaceted-many characters play the role of redeemer, but there is a symbol for redemption in each book.  In The Chronicles of Narnia, Aslan is the sole redeemer, but also uses others in his acts of redemption. The Silver Chair, for example Aslan uses Eustace, Jill, and Puddleglum to find Prince Rilian and save him from his captivity.  Since Aslan is the sole Christ figure in Narnia, he is also the sole redeemer.  One thing that hold true through both of these series is this-redemption always takes place through a Christ figure and that Christ figure is motivated by agapē love. 

Works Cited in Chapter III, Part II

 

Bible Gateway.  King James Version.  New International Version.  2006. 27 Apr. 2006 <http://biblegateway.com/>.  1 Corinthians 4:17; 1 John 4:8; 2 Chronicles 7:14; 2 Samuel 22:2-3; Acts 4:12; Colossians 1:13-14; Ephesians 1:7, 2:1-5, 2:20; Genesis 1:1-31, 3:15; Hebrews 9:12, 12:1; Isaiah 1:18, 50:6, 53:1-12, 61:10; Job 2:11-13; John 1:29, 3:16, 4:10, 4:13-14, 8:36, 14:6-7, 14:26, 15:13, 15:15, 19:17, 20:26-29, 21:9; Luke 10:18, 22:42, 24:46-47; Mark 7:37, 15:3-5; Matthew 1:21; 24:31, 26:36-39, 26:42; Philippians 2:1-2; Revelation 5:5, 11:18, 12:10; Romans 6:11; Titus 3:5.

Lewis, C. S.  The Horse and His Boy.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  205-310.

—.  The Last Battle.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  669-767.

—.  The Lion, the Witch and the Wardrobe.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  107-97.

—.  The Magician’s Nephew.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  11-106.

—.  Prince Caspian.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  317-418.

—.  The Silver Chair.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  542-668.

—.  The Voyage of the Dawn Treader.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  419-541.

Rowling, J. K.  Harry Potter and the Chamber of Secrets.  New York: Levine-Scholastic, 1999.  79-85.

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Jun 16 2009

God, C. S. Lewis, and J. K. Rowling?: Redemption, Part I

Published by nerdyblogger under books Edit This

Hello Readers!  Here’s the first half of my chapter discussing Redemption.  I hope to do a few different sorts of postings over the next few days…namely my thoughts on Derek Webb’s most recent updates, a review of the movie, UP, and some thoughts on what I’ve seen of the all too short-lived Firefly series (I’ve watched the first three episodes of this one and I can see why so many people were upset at it’s cancellation–really great series).  Anyway, here’s the next installment of my thesis!

Blessings,

Nerdy Blogger

Cousin Brickey wouldn’t share his popcorn.  :)

 

 

CHAPTER III, PART I

 

THE END RESULT: REDEMPTION IN HARRY POTTER AND THE CHRONICLES OF NARNIA

 

“Your mother’s sacrifice made the bond of blood the strongest shield I could give you…. While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort.  He shed her blood, but it lives on in you and her sister.  Her blood became your refuge.” - Albus Dumbledore to Harry Potter, Harry Potter and the Order of the Phoenix, 836 (emphasis added).

 

            Redemption is one of the main tenets of Christianity, if not the ultimate tenet.  This principle is important because within it, Christianity finds its basis.  The work of Jesus Christ in his crucifixion is all in vain if not for the redemption found within that work.  Indeed, this point of doctrine is noted biblically in Hebrews 9:12, “He [Jesus Christ] did not enter by means of the blood of goats and calves; but he entered the Most Holy Place once for all by his own blood, having obtained eternal redemption,” as well as in Ephesians 1:7, “In him we have redemption through his blood, the forgiveness of sins, in accordance with the riches of God’s grace” (Bible Gateway) and in multiple other places as well.  Without this final act of redemption, there is simply no need for agapē love or the necessity of a Christ figure.  It is this symbol of redemption that is the fulfillment of agapē love and the Christ figure, and it is this symbol that is found throughout and is intrinsically linked in Harry Potter and The Chronicles of Narnia

            It would appear to be a common thread in the Harry Potterseries that the title character or someone in his company is always redeemed in the final scenes of each novel.  This is most true of Harry himself.  Harry is known through out the wizarding world as “The Boy Who Lived.”  This is because his life is the result of redemption, and this redemptive work is the motivating action for the entire series.  Commenting on this work, the sacrificial death of Lily and James Potter, Catherine Jack and David Paul Deavel note, “His parents’ sacrifice of love marks Harry more deeply and formatively than his magical talents or even than the lightning bolt scar on his forehead” (58).  Harry lives because of his redemption, as Christians live through Christ.  By this same token, Romans 6:11 says, “In the same way, count yourselves dead to sin but alive to God in Christ Jesus” (Bible Gateway).  As Christians are alive in Christ’s redemption, Harry is alive through the redemption made by his parents.  His parents’ sacrifice redeems infant Harry, allowing him to become a redeemer to others. 

            The mark Harry received from Voldemort was no accident.  Harry is the one prophesied to defeat Voldemort and remove his reign of terror over the wizarding world permanently.  The text of the prophecy fits Harry to the hilt; Harry is the son of “those who have thrice defied him,” his birthday is on July 31st, “as the seventh month dies,” and Voldemort did indeed, “mark him as his equal.”  However, Harry “has power the Dark Lord knows not” (Rowling Order of the Phoenix841).  It would appear that Voldemort has chosen Harry to be his personal opponent, and much like the prophecy concerning Christ and Satan in Genesis 3:15 which says, “And I will put enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel” (Bible Gateway), Jesus is Satan’s personal opponent.  Satan’s defeat is achieved through Christ’s resurrection, “crushing” Satan’s head.  Harry’s role as the redeemer of the wizarding world closely parallels with Jesus’ role as the redeemer of Christians. 

            One element of the Harry Potter novels that might seem insignificant through the entire series is the centerpiece of the first novel.  Harry Potter and the Sorcerer’s Stone’s title says it all-the Sorcerer’s Stone (or Philosopher’s Stone in accordance with the legend and the British book title) can be identified as a symbol of redemption.  Concerning the Sorcerer’s Stone, the text states, “The ancient study of alchemy is concerned with making the Sorcerer’s Stone, a legendary substance with astonishing powers.  The stone will transform any metal into pure gold.  It also produces the Elixir of Life, which will make the drinker immortal” (Rowling Sorcerer’s Stone220).  The Elixir of Life is what Voldemort is seeking throughout the first book; this elixir offers an interesting comparison with the biblical “Elixir of Life.”  In John 4:13-14, Jesus, speaking to a Samaritan woman, “Everyone who drinks this water will be thirsty again, but whoever drinks the water I give him will never thirst. Indeed, the water I give him will become in him a spring of water welling up to eternal life.” It is also interesting to note that Jesus describes this water in John 4:10 as “living water”-the biblical Elixir of Life (Bible Gateway).  It is simple to conclude from this illustration that the Elixir of Life which comes from the Sorcerer’s Stone is congruent with the living water offered by “Christ Jesus…the chief cornerstone” (Bible Gateway Ephesians 2:20).  This is just one of the many examples of redemption found in the Harry Potter novels. 

            In Harry Potter and the Chamber of Secrets, there is a symbol for redemption that is perhaps less obvious than much of the symbolism found in Harry Potter.  When Harry and Ron decide to take the flying Ford Anglia to school when they miss the Hogwarts Express, the two boys crash into the Whomping Willow and are in huge trouble.  How these two escape the severe hand of Severus Snape may be seen as an almost allegorical representation of redemption.  Consider this author’s interpretation of Harry and Ron’s sentencing:

Harry and Ron represent Man and Professor Snape represents Satan the Accuser.  Satan has no power to condemn man, so he fetches those that do, Professors Dumbledore and McGonagall, who represent God the Father and Jesus the Son.  Man is forgiven his sin (Misuse of muggle artifacts, underage wizardry, destruction of school property, and performing magic before muggles), but still must suffer the consequences (detention), but is spared bane of hell, away from the presence of God (expulsion from Hogwarts and the God figure, Dumbledore).  After Man is absolved his sin, he is rejoiced over in Heaven (the celebration in Gryffindor tower).  (Rowling Chamber of Secrets 79-85)

Indeed, this allegory is not quite as apparent as the other symbolism offered in Harry Potter, but this interpretation offers a look at redemption comparable to John Granger’s comparison in Looking for God in Harry Potter.  Granger writes about the fight with Tom Riddle at the end of Chamber of Secrets calling it, “the most transparent Christian allegory of salvation history since Lewis’s The Lion, the Witch and the Wardrobe” (133).  Granger sees Harry as Everyman, Tom Riddle as Satan, Ginny Weasley represents man’s virgin innocence and purity, the basilisk is sin, Dumbledore is God, Fawkes the Phoenix is Jesus, the Phoenix song is the Holy Spirit, the sword of Gryffindor is the sword of the Spirit (Granger notes Ephesians 6:17), the Chamber of Secrets is the world, and Hogwarts represents heaven.  He sees this allegory play out as such,

Man, alone and afraid in the world, loses his innocence.  He tries to regain it but is prevented by Satan, who feeds on his fallen, lost innocence.  Man confesses and calls on God the Father while facing Satan, and is graced immediately by the Holy Spirit and the protective presence of Christ.  Satan confronts man with the greatness of his sins.  God sends man the sword of the Spirit, which he uses to slay his Christ-weakened enemy.  His sins are absolved, but the weight of them still means man’s death.  Satan rejoices.  But the voluntary suffering of Christ heals man!  Man rises from the dead, and with Christ’s help, man destroys Satan.  Man’s innocence is restored, and he leaves the world for heaven by means of the Ascension of Christ.  Man, risen with Christ, lives with God the Father in joyful thanksgiving.  (Granger 135-36)

Granger’s allegory indeed offers a strong parallel between the Christian Salvation story and Harry’s redemption in Chamber of Secrets.  Similarly, Kristin Kay Johnston notes, “…Harry descends into the underground chamber to fight the evil serpent (the basilisk) and rescue Ginny ‘from the dead’” (6).  Although Johnston and Granger’s interpretations of the literature are varied slightly, each still points to the scenes in Chamber of Secrets as a redemptive work.  The presence of these symbols in the pit Chamber of Secrets (the actual chamber, not the book) places them as a ray of hope of redemption in the midst of the dreadful surroundings. 

            In Harry Potter and the Prisoner of Azkabanwe move from the depths of the Chamber of Secrets to the skies on the wings of a Hippogriff.  Prisoner of Azkaban is one of the most popular of the Harry Potter novels.  Prisoner of Azkaban is also different from the other novels of the series in its format.  The ending is what sparks this contrast.  Unlike the other five volumes of Harry Potter that have been released, Harry and the Trio are not the ones being rescued at the end of the novel; rather, Harry and Hermione are the redemptive figures in Prisoner of Azkaban.  The redemption of Sirius Black and Buckbeak the Hippogriff is the main focus.  There is no great encounter with Voldemort as seen in the other novels, although there is an encounter with his servant, Peter Pettigrew.  Harry feels his and Hermione’s efforts to save Sirius were futile since Sirius is still believed to be a loyal servant of Voldemort, murderer of Peter Pettigrew, and Judas Iscariot to Lily and James Potter.  Professor Dumbledore believes differently however, saying “Didn’t make any difference? …It made all the difference in the world, Harry.  You helped uncover the truth.  You saved an innocent man from a terrible fate” (Rowling Prisoner of Azkaban425).  As Harry has spared Sirius from a terrible fate, Christ has spared the Church their terrible fate.  Colossians 1:13-14 states, “For he has rescued us from the dominion of darkness and brought us into the kingdom of the Son he loves, in whom we have redemption, the forgiveness of sins” (Bible Gateway).  Sirius Black has been rescued from “the dominion of darkness” that is Azkaban Prison by the son of his best friend.  As in John 8:36, being set free by the Son is being free indeed (Bible Gateway). 

            In all of the Harry Potter novels, the final scenes usually point to some form of redemption.  In the finale of Harry Potter and the Sorcerer’s Stone, Harry is redeemed from Voldemort through the “old magic” of his mother’s love.  In Harry Potter and the Chamber of Secrets, Harry and Ron are rescued from expulsion from Hogwarts, and Harry and Ginny are redeemed from death through Fawkes the Phoenix and his gifts.  Sirius Black is spared the fate of a Dementor’s Kiss in Harry Potter and the Prisoner of Azkaban.  In Harry Potter and the Goblet of Fire, Harry is redeemed from Voldemort and the Deatheaters by the echoes of those Voldemort has murdered; and in what appears to be a literal interpretation of Hebrews 12:1, these echoes are much like an actual, “great cloud of witnesses” (Bible Gateway).  Dumbledore comes to the rescue in Harry Potter and the Order of the Phoenix, foiling Voldemort and saving Harry and the DA.  And in his final redemptive act, Albus Dumbledore lays his life down for Harry in Harry Potter and the Half-Blood Prince.  That there is some symbol of redemption found in the finale of all the Harry Potternovels may be very telling.  Biblically speaking, redemption is the final end point of Christ’s work on the cross.  The redemption of his saints is the main focus-the chief result of salvation-as is noted in Revelation 12:10, “Then I heard a loud voice in heaven say: ‘Now have come the salvation and the power and the kingdom of our God, and the authority of his Christ. For the accuser of our brothers, who accuses them before our God day and night, has been hurled down’” (Bible Gateway).  The defeat of the evil one, the redemption of saints from evil, and the authority of the redeemer is established-this is the pattern the redemption story follows in the Bible, but also in Harry Potter.  This same pattern can be identified in The Chronicles of NarniaThe Chronicles of Narnia offers many examples of redemption.  Much like Harry Potter, an example of redemption can be found in each volume, and oftentimes, this symbol of redemption is the centerpiece for the entire story. 

Works Cited in Chapter III, Part I

 

Bible Gateway.  King James Version.  New International Version.  2006. 27 Apr. 2006 <http://biblegateway.com/>.  1 Corinthians 4:17; 1 John 4:8; 2 Chronicles 7:14; 2 Samuel 22:2-3; Acts 4:12; Colossians 1:13-14; Ephesians 1:7, 2:1-5, 2:20; Genesis 1:1-31, 3:15; Hebrews 9:12, 12:1; Isaiah 1:18, 50:6, 53:1-12, 61:10; Job 2:11-13; John 1:29, 3:16, 4:10, 4:13-14, 8:36, 14:6-7, 14:26, 15:13, 15:15, 19:17, 20:26-29, 21:9; Luke 10:18, 22:42, 24:46-47; Mark 7:37, 15:3-5; Matthew 1:21; 24:31, 26:36-39, 26:42; Philippians 2:1-2; Revelation 5:5, 11:18, 12:10; Romans 6:11; Titus 3:5.

Deavel, Catherine Jack and David Paul.  “Character, Choice, and Harry Potter.”  Logos: A Journal of Catholic Thought and Culture.  5.4 (2002): 49-64.  <http://muse.jhu.edu/journals/logos/v005/5.4deavel.pdf>.  58-59.

Granger, John.  Looking for God in Harry Potter.  USA: SaltRiver, 2004.  67-68, 99-100, 133, 135-36, 182.

Johnston, Kristin Kay.  “Christian Theology as Depicted in The Lord of the Rings and the Harry Potter Books.”  Journal of Religion & Society Vol. 7 (2005).  <http://moses.creighton.edu/JRS/pdf/2005-5.pdf>.  6-7.

Rowling, J. K.  Harry Potter and the Chamber of Secrets.  New York: Levine-Scholastic, 1999.  79-85.

—.  Harry Potter and the Goblet of Fire.  New York: Levine-Scholastic, 2001.  22, 534, 679, 717.

—.  Harry Potter and the Half-Blood Prince.  New York: Levine-Scholastic, 2005.  552, 569, 584, 596, 612, 652.

—.  Harry Potter and the Order of the Phoenix.  New York: Levine-Scholastic, 2003.  734-35, 789, 792-93, 824, 836, 841, 843-44.

—.  Harry Potter and the Prisoner of Azkaban.  New York: Levine-Scholastic, 1999.  38, 108, 214, 232, 330, 376, 415, 425, 427-29.

—.  Harry Potter and the Sorcerer’s Stone.  New York: Levine-Scholastic, 1998.  173, 173, 177-79, 220, 271, 283, 286, 294, 299, 306.

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Jun 15 2009

God, C. S. Lewis, and J. K. Rowling?: Christ Figures, Part II

Published by nerdyblogger under books Edit This

Hello readers!  Here’s the last half of my second chapter.  This section focuses mostly on Narnia, so it’ll shake up the current trend of mostly Potter thus far in this paper.  Thanks for check it out, and please leave some feedback!

Blessings,

Nerdy Blogger

Those Slytherins….

CHAPTER II, PART II

            These examples of Christ figures in Harry Potter are quite explicit; however, they are symbolic.  In comparison to Lewis’ The Chronicles of Narnia, there are not many Christ figures, but in comparison, only one.  This one Christ figure found in Narnia is Aslan the Lion, Son of the Emperor over the Sea.  In Aslan’s character, Lewis embodies the many aspects of Christ into one being.  This character is the dominant figure throughout the entire series, and perhaps one of the clearest allegorical Christ figures found in literature. 

            When placed in chronological order, the first book in The Chronicles of Narnia is The Magician’s Nephew.  In this story, the reader follows the adventures of Digory Kirke and Polly Plummer who stumble into the yet to be created Narnia through the devious trick of Digory’s Uncle Andrew.  While the two are in this strange land, they witness a marvelous thing: the creation of Narnia.  

The Lion was pacing to and fro about that empty land and singing his new song.  It was softer and more lilting than the song by which he had called up the stars and the sun; a gentle, rippling music.  And as he walked and sang, the valley grew green with grass.  It spread out from the Lion like a pool.  It ran up the sides of the little hills like a wave.  In a few minutes it was creeping up the lower slopes of the distant mountains, making the young world every moment softer.  The light wind could now be heard ruffling the grass.  Soon there were other things besides grass…. (Lewis Magician’s Nephew 64)

This Lion speaking Narnia into existence is none other than Aslan.  The reader may recall the creation story of the Bible in which God speaks the world into being.  Indeed the Scriptures say throughout Genesis 1, “And God said…” (Bible Gateway).  What may be interesting to note is the nature of Aslan’s character as played out through the other Chronicles of Narnia: Aslan is portrayed as a Christ figure.  For this allusion to be congruent to the Bible, how may this seeming inconsistency between the two be used to form an allegory from this particular passage?  This answer is found in Genesis 1:26, which states, “Then God said, ‘Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground’” (Bible Gateway, emphasis added).  The “us” found in this verse refers to the Trinity-God the Father, God the Son (Jesus), and God the Holy Spirit.  Thus, the symbol of Aslan the Creator fits with the aspect of Jesus in God the Creator. 

            Another aspect of Aslan’s Christ-likeness is found in his very being a Lion.  In the Bible, Jesus is often described as a lion.  A simple word search on “lion” in the Bible recovers many verses that refer to Jesus Christ.  The most explicit of these verses is Revelation 5:5 which states, “Then one of the elders said to me, ‘Do not weep! See, the Lion of the tribe of Judah, the Root of David, has triumphed. He is able to open the scroll and its seven seals’” (Bible Gateway).  This parallel is quite clear and further establishes Aslan as a Christ figure.

            Indeed, another point of interest concerning Aslan is his “parentage.”  Aslan claims himself to be the “Son of the Emperor Over the Sea.”  Though this Emperor is never seen face-to-face in the novels, he is given a very God-like aura.  Aslan being his son, by nature draws Aslan to parallel to Jesus Christ himself, Jesus calling himself the Son of God.  Extrapolating on the point of Aslan as a Christ figure, Joy Alexander says in her article, “The Whole Art and Joy of Words,”

…Aslan is clearly a character redolent of divinity and with godlike connotations.  This is explicitly reinforced by Lewis when, less that a month after writing to fifth-graders, on June 19, he replied, when the idea of a cartoon version of The Lion, the Witch and the Wardrobe was suggested to him: “I am sure you understand that Aslan is a divine figure, and anything remotely approaching the comic (above all anything in the Disney line) would be to me simple blasphemy.” (Alexander)

From the mouth of the author himself, we see Aslan’s character established as a one of divine nature, and from the literature it is quite simple to see Aslan as a Christ figure. 

            One of the most transparent symbolic elements found in the Chronicles of Narnia is found in the first novel published, The Lion, the Witch and the Wardrobe.  In this novel, the capital image of a Christ figure is found in Aslan’s sacrifice for Edmund Pevensie.  Edmund, having become a traitor and eaten of the White Witch’s food, has committed an offense worthy of death according to the Deep Magic.  Aslan meets with the Witch to talk over her claim.  She renounces her claim on Edmund’s life, however, only in exchange for Aslan’s.  The exchange takes place that evening.  No one is aware of the exact terms of the agreement Aslan and the Witch have made, save for those two themselves.  As Aslan begins to walk to his appointed time, Lucy and Susan spy him, and follow after him.  Aslan appreciates their company saying, “I am sad and lonely.  Lay your hands on my mane so that I can feel you are there and let us walk like that” (Lewis Lion… 179).  This is much like Jesus in the garden of Gethsemane when he calls Peter, James, and John to come with him to watch and pray in Matthew 26:36-38, which states,

Then Jesus went with his disciples to a place called Gethsemane, and he said to them, “Sit here while I go over there and pray.”  He took Peter and the two sons of Zebedee along with him, and he began to be sorrowful and troubled. Then he said to them, “My soul is overwhelmed with sorrow to the point of death. Stay here and keep watch with me.”  (Bible Gateway

In the same manner, Aslan calls upon Lucy and Susan to comfort him before his death.  Like Aslan, Jesus too was “sad and lonely.” 

            Aslan goes to his appointment with the White Witch, allowing himself to submit to the humiliating, degrading, and painful death of a traitor he has chosen to take upon himself.  The text lists Aslan as being bound, shorn of his mane, muzzled, and finally murdered by the White Witch herself (Lewis Lion… 180-81).  This description also matches the account of Jesus’ scourging and crucifixion found in the Bible.  Jesus was “bound” by the mob of the chief priests and soldiers in the garden after being betrayed by Judas as recorded in Matthew 27:2.  Jesus too was “shorn of his mane,” as his beard was plucked out, prophetically spoken of in Isaiah 50:6, “I offered my back to those who beat me, my cheeks to those who pulled out my beard; I did not hide my face from mocking and spitting” (Bible Gateway).  He was “muzzled” in the sense that he did not speak up on behalf of himself.  Indeed, Mark 15:3-5 states, “The chief priests accused him of many things.  So again Pilate asked him, ‘Aren’t you going to answer?  See how many things they are accusing you of.’  But Jesus still made no reply, and Pilate was amazed” (Bible Gateway).  Finally, Aslan was murdered, and thus, Jesus was crucified, the debt now paid for traitors (in both accounts).  It is notable that the manner of Dumbledore and Aslan’s deaths is very similar (both die willingly, die for traitors, only one or two friends present at their death) and their deaths resonate with Jesus’ death. 

            Perhaps the most crucial moment in this story is found in the resurrections of both Aslan and Jesus.  In the morning after his death, Susan and Lucy are sad and crying on the body of the fallen Aslan.  They turn away to go inform the rest of the company of Aslan’s death, but hear a great and thunderous crack.  The Stone Table where Aslan was killed has broken in two.  Upon find this, they are greeted with another sight: a resurrected and fully restored Aslan.  He explains the circumstances as thus:

…Though the Witch knew the Deep Magic, there is a magic deeper still which she did not know.  Her knowledge goes back only to the dawn of time.  But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation.  She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backwards.  (Lewis Lion… 185)

Aslan, being sinless and taking Edmund’s place allowed him to live again.  Similarly, Jesus, having committed no wrongdoing, taking the place of sinners, is allowed to resurrect, to live again.  Luke 24:46-47 states, “He [Jesus] told them, ‘This is what is written: The Christ will suffer and rise from the dead on the third day, and repentance and forgiveness of sins will be preached in his name to all nations, beginning at Jerusalem’” (Bible Gateway).  These comparisons undoubtedly place Aslan in the role of the Christ figure-which is widely accepted by many.

            Another post-resurrection example of Aslan as a Christ figure can be found in The Horse and His Boy.  During this story, Bree the Horse echoes the disciple Thomas in his disbelief (Bree boasting about his doubts that Aslan is actually a Lion, and Thomas not believing in the resurrection of Jesus).  Aslan puts all his doubts aside when he suddenly appears to Bree and his company: “Now Bree,” he said, “you poor, proud frightened Horse, draw near.  Nearer still, my son.  Do not dare not to dare.  Touch me.  Smell me.  Here are my paws, here is my tail, these are my whiskers.  I am a true beast” (Lewis Horse… 299).  These words to Bree are comparable to Jesus’ words to Thomas in John 20:26-29:

A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, “Peace be with you!”  Then he said to Thomas, “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.”  Thomas said to him, “My Lord and my God!”  Then Jesus told him, “Because you have seen me, you have believed; blessed are those who have not seen and yet have believed.” (Bible Gateway)

Thomas has seen and believed, just as Bree has done.  This offers yet another similar point between Aslan and Jesus. 

            In The Voyage of the Dawn Treader, another example of Aslan and his Christ-likeness presents itself.  In this adventure, Lucy and Edmund Pevensie and their unbearable cousin Eustace Scrubb are on an adventure with King Caspian to find the seven lost lords of Narnia.  During their adventures, Eustace is transformed into a dragon with the aid of a magic bracelet, but in greatest part, due to the greed he harbors in his heart when discovering some treasure.  Aslan is the only one who can offer Eustace the cure he needs for his ailments: Aslan must shed Eustace’s dragon skin and bathe him.  Eustace describes the situation to his cousins saying,

And there was I as smooth and soft as a peeled switch and smaller than I had been.  The he caught hold of me-I didn’t like that much for I was very tender underneath now that I’d no skin on-and threw me into the water.  It smarted like anything but only for a moment.  After that it became perfectly delicious and as soon as I started swimming and splashing I found that all the pain had gone from my arm.  And then I saw why.  I’d turned into a boy again.  (Lewis Dawn Treader 475). 

Aslan was the only who could cure Eustace of his predicament.  Likewise, as stated in Acts 4:12, “Salvation is found in no one else [Jesus], for there is no other name under heaven given to men by which we must be saved” (Bible Gateway).  Indeed, Jesus himself declares in John 14:6, “Jesus answered, ‘I am the way and the truth and the life. No one comes to the Father except through me’” (Bible Gateway).  As Aslan is the only cure for Eustace’s condition, Jesus is the only cure for man’s sinful condition. 

            Also in The Voyage of the Dawn Treader, the reader finds Aslan another time, but in the form of a Lamb.  Interestingly enough, this lamb offers the children a breakfast of fish, roasting over a fire, much like the breakfast Jesus offered his disciples in John 21:9 (Bible Gateway).  An interesting parallel here is also Aslan taking the form of a Lamb.  John the Baptist calls Jesus in John 1:29, “the Lamb of God, who takes away the sin of the world!” (Bible Gateway).  Discovering the Lamb is none other than Aslan himself, the children are met with shock, “…but as he spoke, his snowy white flushed into tawny gold and his size changed and he was Aslan himself, towering above them and scattering light from his mane” (Lewis Dawn Treader 540).  As Jesus is described as both the Lion and the Lamb, Aslan too is the Lion and the Lamb. 

            In the final volume of The Chronicles of Narnia, The Last Battle, the apocalypse has come to Narnia.  Aslan has gathered his children and they are entering through The Door to his country.   When entering this marvelous land, Lucy laments about the inevitable possibility of returning to her own world.  Aslan calms her fears saying, “The term is over: the holidays have begun.  The dream is ended: this is the morning” (Lewis Last Battle 767).  Aslan has passed judgment on the world, and gathered all his to himself.  Likewise, in Revelation 11:18, Jesus will judge the world and reward his saints, “The nations were angry; and your wrath has come. The time has come for judging the dead, and for rewarding your servants the prophets and your saints and those who reverence your name, both small and great- and for destroying those who destroy the earth” (Bible Gateway).  Aslan has judged his world and rewarded his saints, as Christ will in his second coming. 

            The symbols for Christ found in both Harry Potter and The Chronicles of Narnia are very similar, but portrayed in different styles.  J. K. Rowling is subtler with her symbolism in Harry Potter than C. S. Lewis is in Narnia.  In Rowling’s works, more than one character or object may represent something, in this case, Christ; thus there are multiple Christ figures in Harry Potter.  Conversely, in Lewis’ Narnia, the reader finds only one Christ figure-Aslan.  John Granger describes this difference in this manner: “Allegories are stand-ins or story translations of a worldly character, quality, or event into an imaginative figure or story…. Symbols, in contrast, can be stacked up” (Granger 99-100).  This main difference allows both series to be studied for Christian symbolism, but under different lenses.  Each series offers its own rich symbols, but merely in a different manner. 

            The actions of these Christ figures are driven by agapē love, particularly in the examples where sacrifice is involved.  Likewise, the Christ figures, in their Christ-like actions and attitudes bring about some form of redemption.  It does not take a careful reading to see that the two symbols of agapē love and Christ figures are often present because someone is in need of redemption.  These three symbols form a trinity that is difficult to separate.  It is the final theme of redemption that ties the other two together. 

Works Cited in Chapter II, Part II

 

Alexander, Joy.  “‘The Whole Art and Joy of Words’: Aslan’s Speech in the Chronicles of Narnia.”  Mythlore Summer 2003.  Infotrac.  Lamar Memorial Lib., Maryville TN.  7 Mar. 2006 <htttp://infotrac.galegroup.com>.

Bible Gateway.  King James Version.  New International Version.  2006. 27 Apr. 2006 <http://biblegateway.com/>.  1 Corinthians 4:17; 1 John 4:8; 2 Chronicles 7:14; 2 Samuel 22:2-3; Acts 4:12; Colossians 1:13-14; Ephesians 1:7, 2:1-5, 2:20; Genesis 1:1-31, 3:15; Hebrews 9:12, 12:1; Isaiah 1:18, 50:6, 53:1-12, 61:10; Job 2:11-13; John 1:29, 3:16, 4:10, 4:13-14, 8:36, 14:6-7, 14:26, 15:13, 15:15, 19:17, 20:26-29, 21:9; Luke 10:18, 22:42, 24:46-47; Mark 7:37, 15:3-5; Matthew 1:21; 24:31, 26:36-39, 26:42; Philippians 2:1-2; Revelation 5:5, 11:18, 12:10; Romans 6:11; Titus 3:5.

Granger, John.  Looking for God in Harry Potter.  USA: SaltRiver, 2004.  67-68, 99-100, 133, 135-36, 182.

Lewis, C. S.  The Horse and His Boy.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  205-310.

—.  The Last BattleThe Chronicles of Narnia.  New York: HarperEntertainment, 2005.  669-767.

—.  The Lion, the Witch and the Wardrobe.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  107-97.

—.  The Magician’s Nephew.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  11-106.

—.  The Voyage of the Dawn Treader.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  419-541.

 

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Jun 14 2009

God, C. S. Lewis, and J. K. Rowling?: Christ Figures, Part I

Published by nerdyblogger under books Edit This

Hello readers!  Here’s the first part of the second chapter from my thesis.  Over all, I would say this is my strongest chapter.  My thesis advisor told me when I handed her the first draft of this that I really clarified a lot of things I mentioned in my first chapter that she was unsure of.  So hopefully, if you had unanswered questions, this will clarify.  Please leave me some feedback; I love discussing this sort of thing. 

Blessings,

Nerdy Blogger

Slytherins don’t mess with me; I know the Jelly-legs jinx!

CHAPTER II, PART I

 

OF CHRIST, WIZARDS, AND LIONS: CHRIST FIGURES IN HARRY POTTER AND THE CHRONICLES OF NARNIA

 

“It isn’t Narnia, you know,” sobbed Lucy.  “It’s you.  We shan’t meet you there.  And how can we live, never meeting you?”  “But you shall meet me, dear one,” said Aslan.  “Are-are you there too, Sir?” said Edmund.  “I am,” said Aslan.  “But there I have another name.  You must learn to know me by that name.  This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.” - Aslan to Lucy and Edmund Pevensie and Eustace Scrubb, The Voyage of the Dawn Treader, 541.

            Central to many, if not all, symbolically Christian stories is the element of the Christ figure.  In the text of both Harry Potter and The Chronicles of Narnia, there are many Christ figures.  These figures do not merely represent Christ in the area of sacrifice, but also in the many other characteristics and actions of Jesus Christ, as recorded in the Bible.  Christ figures can be seen in their identification with God the Father (in Harry Potter and Narnia, a father or father figure), compassion towards others, actions similar to those of Jesus of Nazareth as recorded in the Bible, and as is perhaps most obvious, sacrifice.  These are the main elements of Christ that can be seen in the Harry Potter series as well as The Chronicles of Narnia

            Perhaps the most obvious Christ figures found in Harry Potter are Lily and James Potter, Harry’s parents.  Harry’s parents are deceased before the first page of Harry Potter and the Sorcerer’s Stone.  Harry has been left to live with his very unpleasant aunt, uncle, and cousin, the Dursleys.  The reader discovers the nature of the Potters’ death-murdered by Voldemort himself.  Voldemort had intended to kill Harry that night as well, however, he was stopped unexpectedly.  Voldemort notes that James Potter fought courageously, but further says, “…but your mother needn’t have died…she was trying to protect you…” (Rowling Sorcerer’s Stone 294).  Similarly, Dumbledore further explains to Harry about his mother’s death, and exactly what gave him the name, The Boy Who Lived,

Your mother died to save you.  If there is one thing Voldemort cannot understand, it is love.  He didn’t realize that love as powerful as your mother’s for you leaves its own mark.  Not a scar, no visible sign…to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever. (Rowling Sorcerer’s Stone 299)

The loving sacrifice of Lily and James Potter for their infant son mirrors the sacrifice of Jesus Christ for the Church, giving himself up completely through death.

            Like his parents, Harry Potter himself may be considered a Christ figure.  Harry exhibits many qualities of Christ, even from the very beginning of his life.  Kristin Kay Johnston makes an interesting point concerning this detail:

When Harry was a baby there were strange signs in the world, such as the appearance of hundreds of owls, as well as shooting stars, perhaps reminding us of the appearance of the angels and the star of Bethlehem at Jesus’ birth.  Recall also the fact that Harry as a baby has to flee evil-this recalls both Jesus’ flight into Egypt with Marry and Joseph as well as Moses being put into the basket to escape death.  (6-7)

This being said, it is also interesting to note the many other things that parallel with Jesus Christ and Harry’s birth.  Before Jesus was born, there were many prophecies concerning him, most notably the passage of Isaiah 53, which covers Jesus’ life, ministry, and resurrection.  Note also that there was a prophecy about Harry Potter.  The prophecy states,

THE ONE WITH THE POWER TO VANQUISH THE DARK LORD APPROACHES…. BORN TO THOSE WHO HAVE THRICE DEFIED HIM, BORN AS THE SEVENTH MONTH DIES…AND THE DARK LORD WILL MARK HIM AS HIS EQUAL, BUT HE WILL HAVE POWER THE DARK LORD KNOWS NOT…AND EITHER MUST DIE AT THE HAND OF THE OTHER FOR NEITHER CAN LIVE WHILE THE OTHER SURVIVES…. THE ONE WITH THE POWER TO VANQUISH THE DARK LORD WILL BE BORN AS THE SEVENTH MONTH DIES….  (Rowling Order of the Phoenix 841)

Harry’s life is marked and changed by this prophecy.  His life thus far in the series has followed the prophecy to the letter.  For Voldemort to be stopped, the prophecy must be carried out.   Harry must conquer Voldemort, as Jesus has conquered Satan. 

          One physical characteristic of Harry that parallels with Christ is Harry’s lightning bolt scar.  Harry received his scar the night Voldemort murdered his parents and attempted to murder Harry, the mark of his battle.  When Christ rose from the dead and showed the disciples his scarred hands and feet, he was showing them the marks of his battle, so to speak.  The image of the lightning bolt scar has more significance to this comparison when thought of in the light of Luke 10:18.  The verse states, “He [Jesus] replied, ‘I saw Satan fall like lightning from heaven’” (Bible Gateway).  The lightning bolt scar marks Voldemort’s fall from his “glory,” so to speak, when he was at his greatest power.  As Jesus’ scars mark his conquering over death and triumph over Satan, Harry’s scar marks his conquering over death (the killing curse, Avada Kedavra) and triumph over Satan (Voldemort). 

            Another characteristic of Christ we see in Harry Potter is Harry’s identification with his father.  Harry is told multiple times throughout the novels “you do look extraordinarily like James” (Rowling Prisoner of Azkaban 427).  Not only does Harry resemble his father physically, but also throughout the novels the reader is shown that Harry grows to resemble his father in his actions and attitudes.  Perhaps the most explicit example of this can be found in Harry Potter and the Prisoner of Azkaban.  In Prisoner of Azkaban, Harry discovers who his godfather is, and the identity of the person who handed his parents over to Voldemort.  Throughout these experiences, Harry’s identity as his father’s son is solidified, particularly in the final chapters of the novel.  Harry goes as far as to stop Sirius Black and Remus Lupin from killing the man who handed the Potters over to Voldemort, Peter Pettigrew, saying, “I’m not doing this for you.  I’m doing it because-I don’t reckon my dad would’ve wanted them [Sirius and Remus] to become killers-just for you” (Rowling Prisoner of Azkaban 376).  Albus Dumbledore later confirms Harry’s decision.  Dumbledore says, “‘I knew your father very well, both at Hogwarts and later, Harry,’ he said gently.  ‘He would have saved Pettigrew too, I am sure of it’” (Rowling Prisoner of Azkaban 427).  Harry’s actions are in line with his father’s, much like Christ’s actions and will are in line with his father’s.  Further, Catherine Jack and David Paul Deavel say in their article, “Character, Choice, and Harry Potter,” “While Harry has not forgiven his parents betrayer at this point, he still has the model of his father as a guide to his own actions, and Harry chooses to follow his father’s example rather than to indulge his own desire for revenge” (59).  When Jesus was praying in the garden of Gethsemane in Luke 22:42, he prayed, “Father, if you are willing, take this cup from me; yet not my will, but yours be done” (Bible Gateway).  Jesus followed his Father’s will and took the cup, dying on the cross.  Harry in the same way has carried out, what the reader can reasonably conclude would be his father’s will, sparing the one who was responsible for his death. 

          The reader may find another point of interest concerning Harry and his Christ-likeness during the attack of the dementors on Harry, Hermione, and Sirius Black.  Harry sees a familiar face forming a Patronus charm as he is blacking out; this face Harry that he sees, he believes is his father.  Harry puzzles over this during the rescue of Buckbeak the hippogriff and Sirius Black with the Time Turner.  Knowing his father is dead, the prospect of James Potter conjuring the Patronus is a complete impossibility.  When Harry realizes it was he who conjured the Patronus, the form of the Patronus is what causes such a great surprise.  Harry’s Patronus takes the form of a stag, the very same form his father would take as an animagus, a witch or wizard who can turn his or herself into an animal at will (Rowling Prisoner of Azkaban 108).   Dumbledore draws out a particularly interesting point about Harry’s Patronus; he says,

You think the dead we loved ever truly leave us?  You think that we don’t recall them more clearly than ever in times of great trouble?  Your father is alive in you, Harry, and shows himself most plainly when you have need of him.  How else could you produce that particular Patronus?  Prongs rode again last night…. You know, Harry, in a way, you did see your father last night…. You found him inside yourself.  (Rowling Prisoner of Azkaban 428-29)

The point Dumbledore makes is indeed a curious one.  Harry not only resembles his father physically, and understands what his father might do, but he also is much like his father in ways he does not fully realize: the spirit of James Potter seems to dwell within him.  In the same way, Jesus identifies himself with his Father in John 14:7: “If you really knew me, you would know my Father as well. From now on, you do know him and have seen him” (Bible Gateway).  Whoever sees Jesus sees the Father, and in the same way, whoever sees Harry, sees his father.  As Sirius points out, “You are-truly your father’s son, Harry…” (Rowling Prisoner of Azkaban 415). 

            Another characteristic of Harry’s Christ-likeness is found in the theme of sacrifice.  In many ways the reader sees Harry running into the line of fire for his friends, and in many instances, this involves a certain element of sacrifice.  This element of sacrifice falls into line with Christ’s example of sacrifice at his crucifixion.  Jesus said in John 15:13, “Greater love has no one than this, that he lay down his life for his friends,” but also in verse 15 of that same passage, Jesus also says, “I no longer call you servants, because a servant does not know his master’s business. Instead, I have called you friends, for everything that I learned from my Father I have made known to you” (Bible Gateway).  Jesus called his disciples his friends and willingly laid down his life for them.  Harry has been shown to do this on a number of occasions, putting himself in harms’ way, always thinking of his friends before himself.  Harry Potter and the Order of the Phoenix features many examples of this, particularly in the case of Sirius Black.  While Harry is taking his O.W.L. exams he drifts off into a vision, in which he sees his godfather, Sirius Black being attacked by Voldemort.  Before stopping to fully understand the situation, Harry rushes off into a plan to go save Sirius, not caring what happens to him, as long as his godfather is safe.  He says to Hermione when she tries to convince him that his vision might be a trap laid by Voldemort, “Hermione, it doesn’t matter to me if he’s done it to get me there or not-they’ve taken McGonagall to St. Mungo’s, there isn’t anyone left from the Order at Hogwarts who we can tell, and if we don’t go, Sirius is dead!” (Rowling Order of the Phoenix 734).  Harry shows no regard for his own life, caring only for the life of his godfather. 

            In a similar manner, Harry is willing to rush into the line of fire for Hermione as well.  Taking another example from a passage in Order of the Phoenix, the reader can see this clearly:

The second Death Eater, however, had leapt aside to avoid Harry’s spell and now pointed his own wand at Hermione, who had crawled out from under the desk to get a better aim.  “Avada-”  Harry launched himself across the floor and grabbed the Death Eater around the knees, causing him to topple and go awry.  (Rowling Order of the Phoenix 789) 

This action, trivial though it might seem, shows Harry doing everything in his power to spare his friend, when he could have very easily been killed himself.  A similar incident is repeated a few pages later:

But the Death Eater Hermione had just struck dumb made a sudden slashing movement with his wand from which flew a streak of what looked like purple flame.  It passed right across Hermione’s chest; she gave a tiny “oh!” as though of surprise and then crumpled onto the floor where she lay motionless.  “HERMIONE!”  …A whine of panic inside his head was preventing him thinking properly.  He had one hand on Hermione’s shoulder, which was still warm, yet did not dare look at her properly.  Don’t let her be dead, don’t let her be dead, it’s my fault if she’s dead…. (Rowling Order of the Phoenix 792-93)

Harry, blaming himself for what happened to Hermione, would have been devastated if she had died, shouldering all the responsibility on himself.  It would seem that Harry would have preferred to take the place of his friend if anything had happened to her, judging from this quote.  These two examples illustrate Harry’s willingness to lay his life down for his friends, and in many ways identify him as a Christ figure. 

            There are many other examples of Christ figures in the Harry Potter series.  One character seems to stand at the forefront for many, however, and that character is Albus Dumbledore.  Dumbledore is portrayed in the novels as a wise and knowledgeable teacher, just as Jesus was viewed in his day as a wise and knowledgeable teacher.  Indeed, the disciples and those who followed Jesus were constantly amazed at his actions and teachings.  Mark 7:37 says, “People were overwhelmed with amazement. ‘He has done everything well,’ they said” (Bible Gateway).  Dumbledore is also described as “…the only wizard Voldemort ever feared” (Rowling Goblet of Fire 679), this because of his power and wisdom.  These characteristics match Dumbledore with Jesus in demeanor and the respect he received because of his wisdom and the miracles he performed.  It seems to be in Harry Potter and the Half-Blood Prince when the reader sees Dumbledore at the peak of his Christ-likeness.  Perhaps one of the most symbolic elements in the entire Harry Potter series is found in the final chapters of Half-Blood Prince, and that particular element is found in Albus Dumbledore at the final moments of his life.  These descriptions offer an almost complete allegory to Jesus’ final moments on earth. 

            In chapter 26, Harry and Dumbledore are in search for one of Voldemort’s horcruxes.  Their search takes them to a cave.  In this cave, the device that is protecting the horcrux is a basin filled with a potion that cannot be dipped into, but is solid to the touch, with the horcrux at the bottom.  Dumbledore, after examination of the basin, determines that the only way to get to the bottom is to drink the potion.  Dumbledore claims the job and gives Harry these instructions, “Harry, it will be your job to make sure I keep drinking, even if you have to tip the potion into my protesting mouth.  You understand?” (Rowling Half-Blood Prince 569).  Harry obeys Dumbledore’s orders despite his protests during the ordeal.  This might draw some comparison between this particular passage with Jesus’ prayer in the Garden of Gethsemane found in the Gospels.  Matthew’s Gospel in chapter twenty-six and verses thirty-nine and forty-two quotes Jesus as saying, “My Father, if it is possible, may this cup be taken from me. Yet not as I will, but as you will… He went away a second time and prayed, ‘My Father, if it is not possible for this cup to be taken away unless I drink it, may your will be done’” (Bible Gateway).  Jesus has willingly accepted his duty, as Dumbledore has too accepted his duty to take the potion, “the cup,” so to speak.  The suffering Dumbledore sustains during this time is substantial; he is weakened greatly, as Jesus was during his time of prayer in the garden. 

            When Harry and Dumbledore make their way to the lightning-struck tower at Hogwarts after their venture into the cave, the two are faced with as surprising turn of events: treason and betrayal.  Draco Malfoy has been given the task of killing Dumbledore, by none other than Voldemort himself.  As Harry and Dumbledore land atop the tower, they hear the sound of someone running up the stairs.  Before the door is flung open, Dumbledore wordlessly immobilizes Harry who is hidden beneath his invisibility cloak.  The text states,

The door burst open and somebody erupted through it and shouted, “Expelliarmus!”  …Then, by the light of the Mark, he saw Dumbledore’s wand flying in an arc over the edge of the ramparts and understood…. Dumbledore had wordlessly immobilized Harry, and the second he had taken to perform the spell had cost him the chance of defending himself.  (Rowling Half-Blood Prince 584)

Harry, under the invisibility cloak and prevented from all movement so as though not to burst out in action, is as safe as possible in the given situation.  Dumbledore’s actions, driven by agapē love for Harry, have spared Harry’s life while taking no heed for his own.  This indeed proves to cost Dumbledore his life.  This action of sacrifice is remarkably similar to Christ’s sacrifice on the cross.  Dumbledore offered no resistance to his captors, exactly as Jesus did not.  Indeed, the prophet Isaiah speaks of Jesus’ actions, saying in 53:7, “He was oppressed and afflicted, yet he did not open his mouth; he was led like a lamb to the slaughter, and as a sheep before her shearers is silent, so he did not open his mouth” (Bible Gateway).  Even as Dumbledore is betrayed and slain by one he called friend, Severus Snape (the Harry Potter equivalent to Judas Iscariot), the reader is given an image that is startlingly similar to a crucified Jesus, giving up the ghost.  The text states, “For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight” (Rowling Half-Blood Prince 596).  The image of the Dark Mark, a shining skull, brings on images of the hill on which Jesus was crucified, Golgotha.  John 19:17 states, “So the soldiers took charge of Jesus. Carrying his own cross, he went out to the place of the Skull (which in Aramaic is called Golgotha)” (Bible Gateway).   Harry and Dumbledore have journeyed to the “place of the Skull” and Dumbledore has been crucified, so to speak.  Jesus only had one friend present at his crucifixion, John, the disciple whom Jesus loved.  In the same way, Harry is intensely loyal to Dumbledore (one may recall the great display of Harry’s loyalty to Dumbledore in Harry Potter and the Chamber of Secrets) and is his only friend present, and in the same way Harry can be called “the disciple whom Dumbledore loved.”  These final moments of Dumbledore’s life offers an almost complete allegory to the final moments of Jesus’ life. 

Works Cited in Chapter II, Part I

 

Bible Gateway.  King James Version.  New International Version.  2006. 27 Apr. 2006 <http://biblegateway.com/>.  1 Corinthians 4:17; 1 John 4:8; 2 Chronicles 7:14; 2 Samuel 22:2-3; Acts 4:12; Colossians 1:13-14; Ephesians 1:7, 2:1-5, 2:20; Genesis 1:1-31, 3:15; Hebrews 9:12, 12:1; Isaiah 1:18, 50:6, 53:1-12, 61:10; Job 2:11-13; John 1:29, 3:16, 4:10, 4:13-14, 8:36, 14:6-7, 14:26, 15:13, 15:15, 19:17, 20:26-29, 21:9; Luke 10:18, 22:42, 24:46-47; Mark 7:37, 15:3-5; Matthew 1:21; 24:31, 26:36-39, 26:42; Philippians 2:1-2; Revelation 5:5, 11:18, 12:10; Romans 6:11; Titus 3:5.

Deavel, Catherine Jack and David Paul.  “Character, Choice, and Harry Potter.”  Logos: A Journal of Catholic Thought and Culture.  5.4 (2002): 49-64.  <http://muse.jhu.edu/journals/logos/v005/5.4deavel.pdf>.  58-59.

Johnston, Kristin Kay.  “Christian Theology as Depicted in The Lord of the Rings and the Harry Potter Books.”  Journal of Religion & Society Vol. 7 (2005).  <http://moses.creighton.edu/JRS/pdf/2005-5.pdf>.  6-7.

Lewis, C. S.  The Voyage of the Dawn Treader.  The Chronicles of Narnia.  New York: HarperEntertainment, 2005.  419-541.

Rowling, J. K.  Harry Potter and the Chamber of Secrets.  New York: Levine-Scholastic, 1999.  79-85.

—.  Harry Potter and the Goblet of Fire.  New York: Levine-Scholastic, 2001.  22, 534, 679, 717.

—.  Harry Potter and the Half-Blood Prince.  New York: Levine-Scholastic, 2005.  552, 569, 584, 596, 612, 652.

—.  Harry Potter and the Order of the Phoenix.  New York: Levine-Scholastic, 2003.  734-35, 789, 792-93, 824, 836, 841, 843-44.

—.  Harry Potter and the Prisoner of Azkaban.  New York: Levine-Scholastic, 1999.  38, 108, 214, 232, 330, 376, 415, 425, 427-29.

—.  Harry Potter and the Sorcerer’s Stone.  New York: Levine-Scholastic, 1998.  173, 173, 177-79, 220, 271, 283, 286, 294, 299, 306.

2 responses so far

Jun 11 2009

Stockholm Syndrome: The Rumors Are True

Published by nerdyblogger under music Edit This

Black Eye 

The Rumors are True

Over the past few weeks, I’ve been following the buzz around Derek Webb’s forthcoming album, Stockholm Syndrome.  While filtering through websites and blogs like so many other fans franticly scrounging the Internet for clues to Derek’s cryptic scavenger hunt, I’ve run across many rumors about why Stockholm Syndrome is just so darn controversial.  According to Derek’s last e-mail to his fans, most of the controversy centers on one song.  The most prevalent rumor I’ve discovered in my searching is that Derek drops the “S” word.  I wasn’t entirely surprised to read something about Derek cursing; heck, I’ve heard him do so in several of his songs.  However, the cursing always seemed to be in context to me, and therefore not really cursing. 

Case in point, in probably his most famous song, “Wedding Dress,” Derek puts the question to God, “So could you love this bastard child?”  Sounds like cursing to a modern day person, but not to someone who grew up in a house where her parents read out of the good ole King James Version of the Bible.  The KJV reads in Hebrews 12:8, “But if ye be without chastisement, whereof all are partakers, then are ye bastards, and not sons,” bastard meaning an illegitimate son, not a rude name to call that person who cut you off in traffic.  The context for the Scripture here, being that if you’re truly a child of God and you’re doing something sinful, God disciplines His children, so basically, if you’re sinning and getting away with it, chances are you’re not God’s child.  Like a loving parent, God disciplines His children.  “Wedding Dress” is about how the Church (as in the body of believers) is constantly chasing after “lovers less wild than Jesus” (as Derek puts it on his live album, The House Show).  Rather than staying faithful to God, we whore ourselves with idols (which, if you’re not familiar with “Wedding Dress,” Derek says whore, also).  It’s a plea for God to draw us close to Himself, not letting us be “bastard children.”

What about in one of my favorite Derek Webb tunes, “A King and a Kingdom,” where Derek proclaims, “Well nothing unifies like a common enemy and we’ve got one sure as hell!”  It sure sounds like swearing when you only read that line, right?  Not so.  The song’s about how it seems many American Christians tend to get wrapped up in politics, Left vs. Right, Right vs. Left, and all points in between.  We’d rather try to bash the other side and get policies passed that we think will change the country.  We might be able to change policies, but we CANNOT change the hearts of people who are making moral and political decisions without God.  Policies DO NOT change people’s hearts.  God is the only one that can!  When we focus on those things, we forget who our real enemy is!  Our real enemy is HELL!  Our common enemy is HELL and policies do NOT defeat hell!  God’s people need to unify under His Name, not bicker about policies.  So yes, hell is indeed used in context, not as a swear.

So what’s the deal with Stockholm Syndrome?  Well kids, the rumors are indeed true.  Derek does indeed drop the “S” word in his new album.  How do I know?  If you go to the super secret website (which shall remain nameless because I’m fun like that) and download the latest stems, you’ll find the sound byte of our boy dropping it like it’s hot.  It’s right at the beginning of the clip, so the only thing I can hear in front of it are the words “give a…” before it’s dropped.  I have no other context for the usage, and I’m not sure that I really want to speculate too much further than the fact that I know that the word is there.  I really don’t know where he’s going with this.  Yeah, sure there’s shock value; it certainly got my attention.  But the last time I checked, Derek Webb didn’t need to curse to have shock value in his music or to get anyone’s attention.  I’ve seen several facebook groups with titles proclaiming that they didn’t care about social justice before listening to Derek Webb.  I know how through listening to his music God has changed my own heart and brought about lots of spiritual and emotional healing, and it had absolutely NOTHING to do with attention-getting swear words.  I’ve spent the past few hours listening to all my Derek Webb and Caedmon’s Call albums on my iTunes and regardless of how many times I’ve listened before, the lyrics still prick my heart.  It’s the truth of the Gospel that draws me in, and that’s what should attract listeners, not whether or not we can squeeze in a few more cuss words so we can shock them like the rest.  So what’s the deal, Derek?  Like I said, all I know is that the word’s there.  But James tells me that curses and the praises of God can’t come from the same mouth, the same way salt and fresh water can’t come from the same spring.  I really don’t know what to make of this mystery song.  I definitely want to hear it, and make no mistake; Stockholm Syndrome will make its way to my iPod.  I just pray that one of my favorite artists hasn’t resorted to cheap shock tactics to get people to listen to his record.  I want the Spirit, not the kickdrum.

So keep them coming, these lines on the road
Keep me responsible, be it a light or heavy load
Keep me guessing, these blessings in disguise
I’ll walk with grace my feet, and faith my eyes
- Derek Webb, “Faith My Eyes,” The House Show

7 responses so far

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